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This is the sixth volume to be published in the major ten volume
new history of the county of Kent, and the first detailed study of
the development of Kent during the past hundred years. The sixth
volume to be published in the major ten-volume new history of the
county of Kent, and the first detailed study of the development of
Kent over the past hundred years. Each of the ten chapters begins
by evokinga picture of Kent on the eve of the First World War and
looking at the changes that have taken place between then and the
present day in the area under discussion. Particular attention is
paid to the impact of the two World Warson Kent; to the influence
of national events on local institutions and people; to the role of
the county council in the development of many aspects of life in
Kent; and to the major economic and social changes of the last
thirty years, many of them associated with Britain's entry into the
European economic community and Kent's strategic importance as a
corridor linking London and Britain to Europe. NIGEL YATES is
senior research fellow in church history, University of Wales,
Lampeter.
During the Industrial Revolution the attention of contemporaries
was drawn inevitably towards conditions in the great manufacturing
towns, a bias which most historical writing continues to
perpetuate. By contrast, only scant attention has been paid to the
development of older-established communities, although their
stimulation during this period of transition is of compelling
interest. County towns were by no means insulated from the broad
currents of economic and social change at work in society, but in a
large measure the forces of continuity and stability continued to
shape their character. This detailed study of one of Britain's most
notable historic towns concentrates on population growth by
migration and natural increase, explores the course of marriage,
birth and death rates, and concludes with an examination of
household and family structure, based on the mid-nineteenth century
census enumerators' returns.
Whilst in certain quarters it may be fashionable to suppose that
there is no such thing as society historians have had no difficulty
in finding their subject. The difficulty, rather, is that the
advance has occurred through such an outpouring of research and
writing that it is hard for anyone but the specialist to keep up
with the literature or grasp the overall picture. In these three
volumes, as is the tradition in Cambridge Histories, a team of
specialists has assembled the jigsaw of recent monographic research
and presented an interpretation of the development of modern
British society since 1750, from three complementary perspectives:
those of regional communities, of the working and living
environment, and of social institutions. Each volume is
self-contained, and each contribution, thematically defined,
contains its own chronology of the period under review. Taken as a
whole they offer an authoritative and comprehensive view of the
manner and method of the shaping of society in the two centuries of
unprecedented demographic and economic change.
Whittington is a roughneck Tom who arrives one day at a barn full
of rescued animals and asks for a place there. He spins for the
animals--as well as for Ben and Abby, the kids whose grandfather
does the rescuing--a yarn about his ancestor, the nameless cat who
brought Dick Whittington to the heights of wealth and power in
16th-century England. This is an unforgettable tale about the
healing, transcendent power of storytelling, and how learning to
read saves one little boy.
Shakespeare in the Light convenes an accomplished group of
scholars, actors, and teachers to celebrate the legacy of renowned
Shakespearean and founder of the American Shakespeare Center, Ralph
Alan Cohen. Each contributor pivots off a production at the ASC’s
Blackfriars Playhouse to explore Cohen’s abiding passion, the
performance of the plays of William Shakespeare under their
original theatrical conditions. Whether interested in early modern
theatre history, the teaching of Shakespeare to high school
students, or the performance of Shakespeare in twenty-first century
America, each essay sheds light on the professing of Shakespeare
today, whether on the page, on the stage, or in the classroom.
Guided by the spirit of “universal lighting” – so central to
the aesthetic of the American Shakespeare Center – Shakespeare in
the Light illuminates the impact that the ASC and its founder have
made upon the teaching, editing, scholarship, and performance of
Shakespeare today.
Shaping Shakespeare for Performance: The Bear Stage collects
significant work from the 2013 Blackfriars Conference. The
conference, sponsored by the American Shakespeare Center, brings
together scholars, actors, directors, dramaturges, and students to
share important new work on the staging practices used by William
Shakespeare and his contemporaries. The volume's contributors range
from renowned scholars and editors to acclaimed directors,
highly-trained actors, and budding researchers. The topics cover a
similarly wide range: a close reading of an often-cut scene from
Henry V meets an account of staging pregnancy; a meticulous review
of early modern contract law collides with an analysis of an actor
in a bear costume; an account of printed punctuation from the 1600s
encounters a study of audience interaction and empowerment in King
Lear; the identification of candid doubling in A Comedy of Errors
meets the troubling of gender categories in The Roaring Girl. The
essays focus on the practical applications of theory, scholarship,
and editing to performance of early modern plays.
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